the burning monk photographer
BURNING-MONK PHOTOGRAPHER MALCOLM BROWNE DIES
By Richard Pyle and Ula Ilnytzky | Associated Press
NEW YORK (AP) — The phone calls went out from Saigon's Xa-Loi Buddhist pagoda to chosen members of the foreign news corps. The message: Be at a certain location tomorrow for a "very important" happening.
The next morning, June 11, 1963, an elderly monk named Thich Quang Duc, clad in a brown robe and sandals, assumed the lotus position on a cushion in a blocked-off street intersection. Aides drenched him with aviation fuel, and the monk calmly lit a match and set himself ablaze.
Of the foreign journalists who had been alerted to the shocking political protest against South Vietnam's U.S.-supported government, only one, Malcolm Browne of The Associated Press, showed up.
The photos he took appeared on front pages around the globe and sent shudders all the way to the White House, prompting President John F. Kennedy to order a re-evaluation of his administration's Vietnam policy.
"We have to do something about that regime," Kennedy told Henry Cabot Lodge, who was about to become U.S. ambassador to Saigon.
Browne, who died Monday at a New Hampshire hospital at age 81, recalled in a 1998 interview that that was the beginning of the rebellion, which led to U.S.-backed South Vietnamese President Ngo Dinh Diem being overthrown and murdered, along with his brother, Ngo Dinh Nhu, the national security chief.
"Almost immediately, huge demonstrations began to develop that were no longer limited to just the Buddhist clergy, but began to attract huge numbers of ordinary Saigon residents," Browne said in the interview.
Browne was diagnosed with Parkinson's disease in 2000 and spent his last years using a wheelchair to get around. He was rushed to the hospital Monday night after experiencing difficulty breathing, said his wife, Le Lieu Browne, who lives in Thetford, Vt.
Browne spent most of his journalism career at The New York Times, where he put in 30 years of his four decades as a journalist, much of it in war zones.
By his own account, Browne survived being shot down three times in combat aircraft, was expelled from half a dozen countries and was put on a "death list" in Saigon.
In 1964, Browne, then an AP correspondent, and rival Times journalist David Halberstam both won Pulitzer Prizes for their reporting on the conflict in Vietnam. The war had escalated because of the Nov. 1, 1963, coup d'etat in which Diem was killed.
The plot — by a cabal of generals acting with tacit U.S. approval — was triggered in part by earlier Buddhist protests against the pro-Catholic Diem regime. These drew worldwide attention when the monk set himself afire in protest as about 500 people watched.
One of Browne's burning monk photos became one of the first iconic news photos of the Vietnam War.
"Malcolm Browne was a precise and determined journalist who helped set the standard for rigorous reporting in the early days of the Vietnam War," said Kathleen Carroll, AP executive editor and senior vice president. "He was also a genuinely decent and classy man."
Former AP reporter Peter Arnett, who won a Pulitzer Prize for his work in Vietnam, said in an email: "Malcolm Browne's personal bravery, his intellectual brilliance and uncompromising dedication to the truth set the high standard of AP reporting from Vietnam in the critical years early years of the war. He gave unselfish encouragement to the many young journalists arriving to cover their first war. His example was inspirational to me in the four years I worked with him in the Saigon bureau, and I valued him as a mentor for the rest of my career."
Hal Buell, who was a deputy photo editor in New York City when the photo of the burning monk was taken, said, "That picture put the Vietnam War on the front page more than anything else that happened before that. That's where the story stayed for the next 10 years or more."
Malcolm Wilde Browne was born in New York on April 17, 1931. He graduated from Swarthmore College in Pennsylvania with a degree in chemistry. Working in a lab when drafted in 1956, he was sent to Korea as a tank driver, but by chance got a job writing for a military newspaper, and from that came a decision to trade science for a career in journalism.
He worked first for the Middletown Daily Record in New York, where he worked alongside Hunter S. Thompson, author of "Fear and Loathing in Las Vegas." Browne then worked briefly for International News Service and United Press, the forerunner of United Press International, before joining the AP in 1960. A year later, the AP sent him from Baltimore to Saigon to head its expanding bureau.
There, he became a charter member of a small group of reporters covering South Vietnam's U.S.-backed military struggle against the Viet Cong, a home-grown communist insurgency.
Within the year he was joined in Saigon by photographer Horst Faas and Arnett. By 1966, all three members of what a competitor called the AP's "human wave" had earned Pulitzer Prizes — one of journalism's highest honors — for Vietnam coverage.
In his 1993 memoir, "Muddy Boots and Red Socks," Browne said he "did not go to Vietnam harboring any opposition to America's role in the Vietnamese civil war" but became disillusioned by the Kennedy administration's secretive "shadow war" concealing the extent of U.S. involvement.
Tall, lanky and blond, Browne was a cerebral and eccentric character with a penchant for red socks — they were easy to match, he explained — and an acerbic wit befitting his grandfather's cousin, Oscar Wilde.
Overall, associates saw him as complex, rather mysterious, and above all, independent.
"Mal Browne was a loner; he worked alone, did not share his sources and didn't often mix socially with the press group," recalled Faas, who died this year. "And stubborn — he wouldn't compromise on a story just to please his editors or anyone else."
Browne wrote a 1965 book, "The New Face of War," and a manual for new reporters in Vietnam. Among its kernels of advice: Have a sturdy pair of boots, watch out for police spies who eavesdrop on reporters' bar conversations, and "if you're crawling through grass with the troops and you hear gunfire, don't stick your head up to see where it's coming from, as you will be the next target."
By 1965, impressed by how television appeared to be dominating the public discourse, the reporter who had never owned a TV set left the AP to join ABC News in Vietnam.
Browne quit ABC after a year over management questions.
After a venture into magazine writing, Browne joined The New York Times in 1968. He worked in Latin America, Eastern Europe and Asia, left again to edit a science magazine, and returned to the Times in 1985, mainly as a science writer. He also covered the 1991 Gulf War, again clashing with U.S. officials over censorship issues.
Earlier this month, Browne, sporting his trademark red socks, spoke in New York City at a memorial reception honoring his Saigon compatriots Faas and George Esper, who also died this year. He referred to the gathering as "a family reunion," saying he "always regarded the AP as his second family."
In addition to his wife, survivors include a son, Timothy; a daughter, Wendy, from a previous marriage; a brother, Timothy; and a sister, Miriam.
Browne will be buried on the family's property in Vermont, his widow said.
Richard Pyle covered the Vietnam War for five years and was AP's Saigon bureau chief from 1970 to 1973.
source: the associated press
I suppose the feeling that I'm probably nearing the end of my journalistic career and possibly my life, and while I still remember so much of the contemporary history that I was privileged to watch, I thought it would be nice to leave some of it behind. It might be useful to my grandchildren, if no one else. I'm counseling them to take up careers in burglary because I'm not sure that journalism has a future, but in case it does, why, that's something to think about. - Malcolm W. Brown, on writing the book, "Muddy Boots and Red Socks," Sept. 26, 1993.
I have a very, very lucky -- my life is terrific; it affords the greatest possible variety of experience. That, after all, is why I became a journalist. - Malcolm W. Brown, on being a journalist, Sept. 26, 1993.